I came across David Ogilvy’s letter “I am a lousy copywriter” years ago on the Letters of Note website. I have it printed, laminated and Blu-Tack-ed to one of the upper cupboard doors in my kitchen to remind me that I’m not the only schmuck who gets stuck.
Mr. Ogilvy’s solution to staring at a blank page — to drink a half a bottle of rum (see #9 below) — never worked for me. Sure, it inspires an “uncontrollable gush of copy”, but that gush must only be magical when accompanied by a Handel oratorio; that, or some kind of divine secretarial intervention is required to unravel the illegibly-scrawled ravings.
I later discovered Steven Pressfield’s explanation of resistance in his bestselling book, The War of Art. I’ve read it at least a dozen times. It doesn’t make writing ad copy or a creative brief any less work, but it does reduce the feelings of panic; the crushing terror of impostor syndrome; it doesn’t require a single note of Handel, there’s no hangover and zero calories.
I am a lousy copywriter
Dear Mr. Calt:
On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:
- I have never written an advertisement in the office. Too many interruptions. I do all my writing at home.
- I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years.
- I am helpless without research material—and the more “motivational” the better.
- I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client.
- Before actually writing the copy, I write down every conceivable fact and selling idea. Then I get them organized and relate them to research and the copy platform.
- Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines.
- At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)
- I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts.
- If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy.
- The next morning I get up early and edit the gush.
- Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)
- I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editings, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose.
- Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility.
David Ogilvy, April 19, 1955
Here’s the A4-sized PDF version of David Ogilvy’s “I am a lousy copywriter.” for your kitchen cupboard door.